ViolaViva editions of sheet music have developed from music-making practice for music-making practice. In the majority of the editions, hand-written copies of the voices were already available, with which music was played and the optimal version of the respective transmission was determined before the printing copies in capella notation were produced.
An approach was taken to create a clear and easily readable score. Even more important - especially in piano parts - was the demand for the best possible page turning, even if this narrowed the sheet music a little on some pages. For the same reason, repetitions were written out in individual cases in order to avoid leafing back, or individual pages were left unprinted, or an additional loose page was inserted for stapling.
All scores and parts have bar numbering.
Most editions are provided with a foreword which provides information about the composer and the work as well as the Urtext edition on which they are based, but also explains the special features of the transmission.
All ViolaViva sheet music is stapled. Each edition has a hard-wearing cardboard cover for the piano part, the score or the 1st violin, in which the remaining parts are inserted.
Helmut Pfrommer
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